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| While most mocap systems still make a big deal about public demonstrations, the fully automatic & continuous calibration capability together with the ease of setup (<10 minutes per tracker) of a Visualeyez system make marketing using MOTION CAPTURE and REAL-TIME ANIMATION in public a routine event. This near perfect animated dance was done by a male actor in a female character.
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| The TURN-KEY design of a Visualeyez system makes its application a cinch. Just turn on the system and you can start motion capture immediately. No manual calibration is required. The system will CALIBRATE ITSELF AUTOMATICALLY & CONTINUOUSLY! You can produce animation during the capture for actor coaching, then take minutes to clean up every minute of the captured data to produce the final quality results you desire.
Size:0.6mb |
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| Making TV commercials bring out even more cost-effectiveness of a Visualeyez motion capture system. The wide-angle operation means you don't need a large studio space to do a capture. The high portability, ease of setup, and now FULLY AUTOMATIC & CONTINUOUS CALIBRATION, allow the system to be moved and used in any way and at any location suitable for capturing the desired motions.
Size:1.3mb |
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| Visualeyez system is not only fully capable of capturing multiple actors simultaneously, but also able to produce animation IN REAL-TIME, IN PUBLIC, and with UN-REHEARSED local student actors!
Size:0.7mb |
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| This TV series ("Stargate SG1") episode was produced using a Visualeyez system for the VFX. The actor had to walk around props that would make motion capture difficult for other optical systems which must always capture from the top down. Visualeyez system can capture motions from any direction and yield significantly cleaner data. This makes both the mocap and data cleaning much less expensive. Size:2mb |
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| To capture full-body motions and small complex finger motions at the same time require a system with high resolution over a large capture range. This is a challenge against classical physics. Visualeyez is a unique motion capture system that has won this challenge.
Size:2mb |
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| Visualeyez motion capture trackers can be set up in any way you like to capture desired motions. In this A-Rex clip, two trackers are mounted on tripods tilting down, and another two trackers are simply laid on the ground of a roof top for capturing the intricate lower body (tail) motions of the actor.
Size:4.1mb |
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| With the high quality real-time animation production capability and turn-key operation (due to the fully automatic and continuous calibration), a Visualeyez motion capture system can be easily setup within minutes and used for real-time dance design as well as other choreography applications. Size:6.4mb |
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| Directors and animators can save time and money by integrating Visualeyez systems into their motion capture projects to capture Full-Body and Facial movements simultaneously.
Size:0.8mb |
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| Dancing motions can be easily captured for training, rehearsal or choreography purposes. New semi-wireless ('SW') and completely wireless ('SIT') marker systems are available to facilitate acrobatic or even floor-rolling motion captures.
Size:3.6mb |
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| This is the WORLD FIRST REAL-TIME ANIMATION PRODUCED IN PUBLIC in year 2000. Although mocap systems have been around for 35 years, until 2004 no other system was capable of producing similar animation in public.
Camera tracking can be treated as another prop mocap task and the data used to drive the scene to create the effects of a moving camera, as seen in this video too. Size:0.4mb |
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| High resolution and flawless marker identification allow the Visualeyez system to capture the most complex motions a person can make. This video was produced in 2003 for the BBC to demonstrate a motion capture capability that even today most other systems are unable to do. This capture was made with just three Visualeyez trackers.
Size:1.1mb |
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